BIOS Journal Table of Contents

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Vol.	Title	Authors	Editors
48	Editorial		Andrew Hayden
48	‘All but the lowest’: town hall organ concerts and admissions as a tool of nineteenth-century social reform	Mie Othelie Berg	Andrew Hayden
48	Barrel organs in Essex parish churches	Maggie Kilbey	Andrew Hayden
48	Henry Bevington, the sale of organs	David Shield	Andrew Hayden
48	Organs and organists in twentieth-century literature (1901-60)	Melvin Hughes	Andrew Hayden
48	The organs of the Sheldonian Theatre, Oxford, and the University Church of St Mary the Virgin in the late-seventeenth century and beyond	Harry Diack Johnstone	Andrew Hayden
48	Moravians in London: their organs and their music	Paul Tindall	Andrew Hayden
48	‘Purely a question of money’: John Varley Roberts and living ‘honestly’ as a church organist in later Victorian England	David Baker	Andrew Hayden
48	Dominic Gwynn (1953-2024)	Andrew McCrea	Andrew Hayden
48	Honouring David Patrick	John Collins	Andrew Hayden

47	Editorial		David Ponsford
47	The succession of organbuilders 1500 to 1642	Dominic Gwynn	David Ponsford
47	In search of the recorder: thoughts on the accompaniment of the verse repertoire on the seventeenth-century English liturgical organ	David Force	David Ponsford
47	The arrangement of Contrapunctus 14 in Bach’s Art of Fugue (BWV 1080/19)	Paul Binski	David Ponsford
47	‘Lost in translation?’ The eighteenth-century English organ concerto translated into French: influence, imitation and emancipation	Pierre Dubois	David Ponsford
47	Beware of puffers! Organs, organists and organbuilders in Birmingham in the eighteenth and early nineteenth century	Paul Tindall	David Ponsford
47	Dr Hollins & Mr Arthur in a Dundee voyage	Owen Woods	David Ponsford
47	Peter Collins: a modern-day organ building legend	John Norman	David Ponsford
47	BIOS, Cambridge and the making of history	Nicholas Thistlethwaite	David Ponsford
47	Gentlemen and players: the changing world of the organ adviser	Nicholas Thistlethwaite	David Ponsford

46	Editorial		Nicholas Thistlethwaite
46	Peterhouse, Cambridge: the documentation of a lost organ, 1635-1667	Nicholas Thistlethwaite	Nicholas Thistlethwaite
46	Preston of York: a restoration organ-builder and his family connections	David Griffiths	Nicholas Thistlethwaite
46	John Baron and Nelson Hall of Upton Scudamore: the rise of the pipe rack and the universal village organ	Paul Tindall	Nicholas Thistlethwaite
46	A ‘strange combination of duties’: Charles Garland Verrinder, not just the Synagogue organist	Danielle Padley	Nicholas Thistlethwaite
46	Thomas Hopkins and his children: the York branch of a ‘pre-eminently’ musical family	Maximillian Elliott
46	The Sonata for Organ by Edward Cuthbert Bairstow (1874-1946)	John Scott Whiteley	Nicholas Thistlethwaite
46	The neo-baroque revival and its influence on the organ-building establishment in Britain	John Norman	Nicholas Thistlethwaite
46	‘Something new, something lively and clean and vital’ – reflections on the classical organ revival in Britain, and the work and influence of Grant, Degens & Bradbeer, Peter Collins, Nigel Church and Kenneth Tickell	John Rowntree	Nicholas Thistlethwaite
46	Towards a kaleidoscopic hermeneutic: British organ composition and organ-building culture, 1945-2000	Richard Moore	Nicholas Thistlethwaite
46	Obituaries: Dr Francis Jackson (1917-2022) & John Budgen (1932-2021)	Nicholas Thistlethwaite	Nicholas Thistlethwaite

45	Editorial		David Baker
45	Through a glass darkly: transparent evidence for the origins of the early Swell?	David Force	David Baker
45	Parratt in print: sharing musicianship and pedagogy	Andrew McCrea	David Baker
45	Best and Bridge: two Victorian approaches to Bach	Tom Bell	David Baker
45	Organist appointments in late-Victorian England: a case study	David Baker	David Baker
45	Henry Willis: an account of his election as organist of the Islington Chapel of Ease in 1872 with some remarks on his previous organist appointments	Bruce Buchanan	David Baker
45	The 1883 flotation of Lewis & Company Ltd, with remarks on subsequent developments	Bruce Buchanan	David Baker
45	Concluding chapter: the work of the Mander firm, 1983-2020	Nicholas Thistlethwaite	David Baker

44	Editorial		David Baker
44	Where did Thomas Dallam learn how to build organs?	Dominic Gwynn	David Baker
44	‘Ever faithful, ever sure’, the Revd Sir Henry Williams Baker and an organ for All Saints’, Monkland, Herefordshire	James Berrow	David Baker
44	The Grand Furore, a chapter in the history of Great Yarmouth Parish Church	Andrew Hayden	David Baker
44	Henry Willis III, 1889-1966, some aspects of his life and work	Bruce Buchanan	David Baker
44	A provincial organist in the twentieth century: the life and career of Shackleton Pollard (1887-1984)	Dave Russell	David Baker
44	Dr Hollins and Mr Arthur in A Tale of Three Organs	Owen Woods	David Baker
44	Matching the organ to the building	John Norman	David Baker
44	The Church Buildings Council and its organ committee	David S. Knight	David Baker
44	‘Pugin’s only rival’: William Burges and his Yorkshire organ cases	Martin Renshaw	David Baker
44	Obituaries: Noel Rawsthorne (1929-2019)	David Wells & John Norman	David Baker
44	Peter Hurford OBE (1930-2019)	Simon Lindley	David Baker

43	Editorial		David Shuker
43	The organ music of William Herschel	David Baker	David Shuker
43	James Jepson Binns (1854-1929) and the challenges of war	Nicola MacRae	David Shuker
43	Le Piano-Organisé en France: a late eighteenth-century love affair with the claviorgan	Eleanor Smith	David Shuker
43	A peripatetic and revolutionary organised piano	David Shuker	David Shuker
43	The early use of barrel organs in the English parish church	Maggie Kilbey	David Shuker
43	Organ-building in the British West Indies – Harrison & Harrison organs in the Crown Colony of Trinidad	Owen Woods	David Shuker
43	Historic organs as mainstream cultural heritage	Peter Burman	David Shuker

42	Editorial		Andrew McCrea
42	Parry’s Chorale Preludes and the fashioning of a national genre	Jeremy Dibble	Andrew McCrea
42	Ernest Farrar (1885-1918): composer and organist	Martin Holmes	Andrew McCrea
42	Organs, memorials and war	David S. Knight	Andrew McCrea
42	From modules to music: recreating late-medieval organs in the last quarter century	Kimberly Marshall	Andrew McCrea
42	The aesthetic appeal of uneven work: understanding the craftsmanship of the early modern period	Dominic Gwynn	Andrew McCrea
42	The last years: Charles Spackman Barker (Part III)	Philippe d’Anchald	Andrew McCrea
42	The first applications of electricity to the organ	Philippe d’Anchald	Andrew McCrea
42	Cecil Clutton (1909-91): the last of the tonal architects	Richard Hobson	Andrew McCrea
42	A conjectural note …	Richard Moore	Andrew McCrea

41	Editorial		John Scott Whiteley
41	Fit for a Queen: a Father Smith treasure trove	John Norman	John Scott Whiteley
41	Charles Crole and the organ at St Benet’s Hall, Oxford	Gordon D.W. Curtis & Dominic Gwynn	John Scott Whiteley
41	John Wheildon: an early Victorian organ-builder in Manchester	David Shuker	John Scott Whiteley
41	All Saints, Shrewsbury, ‘A first-rate organ’: Nicholson, Ouseley and Bulkeley-Owen	James Berrow	John Scott Whiteley
41	Triumph and tragedy in 1840s Paris: Charles Spackman Barker (Part II)	Philippe d’Anchald (Trans. Martin Renshaw)	John Scott Whiteley
41	Charles Spackman Barker: the early evolution of the pneumatic lever	Gerald Sumner	John Scott Whiteley
41	‘Improvising in Slow Motion’: Francis Jackson’s investment in the sonata for organ	Andrew McCrea	John Scott Whiteley
41	Handel’s oratorio and concerto organs: 1732-1745	Graham Cummings	John Scott Whiteley
41	New light on the Toccata in C BWV 564 and Bach’s ‘Mordant’	John Scott Whiteley	John Scott Whiteley
41	Some further thoughts concerning Tudor and Elizabethan ornamentations	Christopher Kent	John Scott Whiteley
41	James Ingall Wedgewood: a correspondent ‘Temporarily Out-of-Tune’	Maximilliam Elliott	John Scott Whiteley
41	Report on the National Pipe Organ Register: 2012-1016	Mike Sayers	John Scott Whiteley
41	Obituary: James Dalton (1930-2017)	Richard Vendome	John Scott Whiteley

40	Editorial		Nicholas Thistlethwaite
40	Obituary: Peter Williams (1937-2016)	David Ponsford	Nicholas Thistlethwaite
40	Organs and organ music: one BIOS member’s involvement	Peter Williams	Nicholas Thistlethwaite
40	Preservation and Restoration, 1976-2016	Nicholas Thistlethwaite	Nicholas Thistlethwaite
40	Some remarks on organ historiography at BIOS’s fortieth	Andrew McCrea	Nicholas Thistlethwaite
40	Forty years of British organ-building: a report from the trenches	Mark Venning	Nicholas Thistlethwaite
40	The restoration of the H.C. Lincoln organ in Thaxted parish church	Dominic Gwynn	Nicholas Thistlethwaite
40	Freeman and friendship: Henry Lilley and Roughton Whall	James Berrow	Nicholas Thistlethwaite
40	Tracing aspects of seventeenth- and eighteenth-century repertoire and performance practice, with specific reference to Peter Prelleur and the restored 1735 Bridge organ at Christ Church, Spitalfields	William McVicker & John Collins	Nicholas Thistlethwaite
40	Thomas Tertius Noble: organist and composer for the organ	John Scott Whiteley	Nicholas Thistlethwaite

39	The Hamiltons of Edinburgh: Part 2, the middle years	Alan Buchan	David S. Knight
39	Small organ design in the nineteenth century	Andrew Hayden	David S. Knight
39	‘A Drop of English Blood’: Karl Straube’s multifaceted relations to England	Christopher Anderson	David S. Knight
39	An organist’s life: William Done of Worcester Cathedral (1815-95)	James Berrow	David S. Knight
39	Zeitgeist manifest as style: eclectic authenticity in the St Paul’s Cathedral Grand Organ Project, 1972-77	Richard Moore	David S. Knight
39	‘Accompanied all along on the Organ by his own inimitable hand’: Handel and the direction of his Oratorios	Peter Holman	David S. Knight
39	Two new editions of Bach’s organ music: some questions	Peter Williams	David S. Knight
39	John Clarke Whitfield: a life	José Hopkins	David S. Knight
39	The origin of the term Chair Organ	Paul Binski	David S. Knight
39	Kenneth Hugh Tickell (1956-2014)	John Norman	David S. Knight

38	Introduction	William McVicker	William McVicker
38	The organ in the Royal Festival Hall, London	Ralph Downes	William McVicker
38	‘The sight is amazing before a note has been heard’: a reception history of the Royal Festival Hall organ	William McVicker	William McVicker
38	The adventure continues	Mark Venning	William McVicker
38	The Royal Festival Hall organ: specification and pipe scales	Harrison & Harrison	William McVicker
38	The Visual History of the Royal Festival Hall organ: to see or not to see? That was the question	Barrie Clark	William McVicker
38	An examination of the voicing technique employed in the Royal Festival Hall organ	Andrew Scott	William McVicker
38	Examination of Raph Downes’s organ-pipe scaling methods at the Royal Festival Hall	David C. Wickens	William McVicker
38	Organ music written for or inspired by the Royal Festival Hall organ	Andrew McCrea	William McVicker
38	To Baroque or not to Baroque: the Royal Festival Hall organ & the Orgelbewegung	Nicholas Prozzillo	William McVicker
38	Gauntlett, Dixon & Downes	Relf Clark	William McVicker
38	The Royal Festival Hall organ and its influence on performance of the organ repertory	John Rowntree	William McVicker
38	Beginnings	James Dalton	William McVicker
38	A few odd memories from early days	Guy Oldham	William McVicker
38	Memories	Dame Gillian Weir	William McVicker
38	The Art of Fugue	Diana Atkinson	William McVicker
38	William Drake (1943-2014)	John Brennan	William McVicker

37	Editorial		Katharine Pardee & David Ponsford
37	The place of the organ in the Medieval Parish Church	Martin Renshaw	Katharine Pardee & David Ponsford
37	The Grand Coalition 1733-1760	Dominic Gwynn	Katharine Pardee & David Ponsford
37	Crang and Hancock	Paul Tindall	Katharine Pardee & David Ponsford
37	Who compiled the Leffler Manuscript?	José Hopkins	Katharine Pardee & David Ponsford
37	Ombersley: a nineteenth-century exercise in conservation	James Berrow	Katharine Pardee & David Ponsford
37	The ‘Sutton’ organ at Jesus College, Cambridge	Hilary Davidson, William Drake & Anne Page	Katharine Pardee & David Ponsford
37	Cavaillé-Coll in Britain	Christopher Kent	Katharine Pardee & David Ponsford
37	Herbert Howells’s organ works? Critical reception, performance practice and the case for reappraisal	Jonathan Clinch	Katharine Pardee & David Ponsford

36	Editorial	Katharine Pardee & David Ponsford	Katharine Pardee & David Ponsford
36	The Beauty of Holiness: Thomas Dallam’s organ for Corpus Christi College, Oxford	Alex Shinn	Katharine Pardee & David Ponsford
36	Musical Activities of the Harris Family	José Hopkins	Katharine Pardee & David Ponsford
36	Benjamin Britten and the organ	Adrian Mumford	Katharine Pardee & David Ponsford
36	Organ music of eighteenth-century provincial composers in England	John Collins	Katharine Pardee & David Ponsford
36	British organ registration for eighteenth-century voluntaries	Calvert Johnson	Katharine Pardee & David Ponsford
36	Martin Podkonicky: organ-builder, Banska Byristica	Marian Aloyz Mayer	Katharine Pardee & David Ponsford
36	The National Pipe Organ Register (NPOR) from 1990 to 2012	Mike Sayers	Katharine Pardee & David Ponsford

35	Sonic Ceremonial in Sixteenth-Century English Liturgy	John Harper	Katharine Pardee & David Ponsford
35	King’s College, Cambridge, and the first Queen Elizabeth: a Royal Progress	José Hopkins	Katharine Pardee & David Ponsford
35	The first Willis organ in Canterbury Cathedral	David Hemsley	Katharine Pardee & David Ponsford
35	Admiral Collingwood and the organ in Santa Maria, Mahon	Barrie Clark	Katharine Pardee & David Ponsford
35	Old Bailey Records (1674-1913) as a source of information on organ-builders	Gordon Curtis	Katharine Pardee & David Ponsford
35	Towards a chronological history of the organs of Stephen Taylor (1838-1920)	John Scott Whiteley	Katharine Pardee & David Ponsford
35	‘Miserable Dumbledores’? – organs and organists in Victorian Literature	Melvin Hughes	Katharine Pardee & David Ponsford
35	An organ for St Teilo: a Welsh instrument in the pre-Reformation tradition	John Harper	Katharine Pardee & David Ponsford
35	Music Copyright in England, the Statute of Anne (1710) and the case of J.C. Bach versus Longman & Broderip (1777)	John Brennan	Katharine Pardee & David Ponsford

34	‘To play upon the Organs any man[ner] Play[n]song’	Jane Flynn	Katharine Pardee
34	A day in the life of John Clymhowe: the life and career of an early sixteenth-century organ-builder	Dominic Gwynn	Katharine Pardee
34	The ideology and cultural semiotics of Handel’s Organ Concertos	Pierre Dubois	Katharine Pardee
34	Reforming Organists: the Cooper Family of St Sepulchre’s, Holborn	Nicholas Thistlethwaite	Katharine Pardee
34	A ‘Fruitful Source of Quarrels and Differences …’: The Revd Sir Frederick Arthur Gore Ouseley (1825-1889) as organ adviser	Jim Berrow	Katharine Pardee
34	The influence of Edmund Schulze on Yorkshire organ-builders	David C. Wickens	Katharine Pardee
34	The Gothic Revival and Cambridge	José Hopkins	Katharine Pardee

33	Charles Spackman Barker: a reassessment of the earlier years of his career	Philippe d’Anchald	Christopher M. Berry
33	Hans Henny Jahnn and Leipzig: some thoughts on the ‘Organ Problem’ of the 1920s	Christopher S. Anderson	Christopher M. Berry
33	Organs and organ-builders at the courts of Queen Elizabeth I, James I and Charles I	Dominic Gwynn	Christopher M. Berry
33	The Mutin Cavaillé-Coll organs of the British Isles, 1901-1913 and the ‘Appuldurcombe’ organ	Christopher M. Berry	Christopher M. Berry
33	The restoration of a Wurlitzer cinema organ, New Gallery/Habitat, Regent Street, London	Matthew Feldwick	Christopher M. Berry
33	Anton Heiller: thirty years on	Richard Staines	Christopher M. Berry
33	The Heritage Lottery Fund and organ restoration	David S. Knight	Christopher M. Berry
33	Uncertain times: politics and culture in England and Brittany, 1560-1660	Martin Renshaw	Christopher M. Berry

32	The organ of King’s College, Cambridge: 1605-1802	Nicholas Thistlethwaite	David S. Knight
32	The 1704 Renatus Harris organ at St Botolph’s Aldgate: restoration issues	Dominic Gwynn	David S. Knight
32	The Casparini Research Project: a new organ for the Eastman School of Music	Joel Speerstra	David S. Knight
32	A barrel organ by Richard Coates: a study in restoration	Robert L. Barclay	David S. Knight
32	‘Quaint and Irrational’? A performer’s perspective on the Historic Organ Sound Archive	Anne Page	David S. Knight
32	Thoughts on the inclusion of the Tierce rank in English Mixture stops, 1660-1940	William McVicker & David C. Wickens	David S. Knight
32	Renn re-visited: an appreciation of ‘Samuel Renn –English organ builder’, with reference to some recent findings	David C. Wickens	David S. Knight
32	Organ conservation in Australia: attitudes and outcomes	Kelvin Hastie	David S. Knight

31	Boris Ord and the reconstruction of the organ in King’s College, Cambridge: 1932-4	Nicholas Thistlethwaite	David Hemsley & David Ponsford
31	‘The Organ and its Music Vindicated’ – a study of ‘Music Sermons’ in eighteenth-century England	Pierre Dubois	David Hemsley & David Ponsford
31	Bryceson Brothers’ house organ for N.J. Holmes Esq.	David Hemsley	David Hemsley & David Ponsford
31	The commercial development of tubular-pneumatic key actions	John Norman	David Hemsley & David Ponsford
31	Wilkinson and Son of Kendal: the origins and history of the firm in the nineteenth century	Gerald Sumner	David Hemsley & David Ponsford
31	‘As much organ-building intellect as they have in London’ – George Fincham and his Melbourne exhibition organs	John Maidment	David Hemsley & David Ponsford
31	An Elliot organ in Tasmania	David Shield	David Hemsley & David Ponsford
31	Linking archival information with archaeological evidence	David C. Wickens	David Hemsley & David Ponsford
31	Obituary: Stephen Bicknell (1957-2007)		David Hemsley & David Ponsford

30	‘A very superb organ’ – the H.C. Lincoln organ in the Ballroom, Buckingham Palace, London	Nicholas Thistlethwaite	William McVicker
30	… Des Chorales d’orgue, ainsi qu’a fait Bach, mais sur un autre plan’: Cesar Franck’s Trois Chorales reconsidered	Michael Frith	William McVicker
30	Organ-building developments in nineteenth- and twentieth- century Slovakia	Marian Mayer (trans. Roy Williamson)	William McVicker
30	The organ music of John Keeble – eccentric or exemplary?	Stephen Bicknell	William McVicker
30	George Maydwell Holdich (1816-1896)	Rodney J. Matthews	William McVicker
30	Further on the earliest organs in Western Europe	Peter Williams	William McVicker
30	The origins of the English style in church organ-building	Dominic Gwynn	William McVicker
30	English organ history: myth or reality?	Martin Renshaw	William McVicker
30	Voicing methods of the Neo-Baroque	Frits Elshout & Dick Koomans	William McVicker
30	Noel Mander MBE (1912-2005)	Ian Bell	William McVicker

29	Editorial		Relf Clark
29	Pipe-marking	David C. Wickens	Relf Clark
29	Dr Mann and the organ of King’s College, Cambridge: 1857-1912	Nicholas Thistlethwaite	Relf Clark
29	Footnotes to Cobb’s account of the organ of Trinity College, Cambridge	José Hopkins	Relf Clark
29	Harrison & Harrison: Thomas Harrison’s origins and resumption in Durham	David Watt & Richard Hird	Relf Clark
29	Introduction to George Dixon’s essay on Arthur Harrison	Relf Clark	Relf Clark
29	Arthur Harrison and his work: the story of a great organ-builder	Lt-Col. George Dixon	Relf Clark
29	A note from Fern Bank, 1946-1950	Patricia Scott	Relf Clark
29	St Helen’s, Abingdon, and some thoughts on organ revival	Mark Venning	Relf Clark
29	Walter Parratt	Timothy Lawford	Relf Clark
29	The organ at Southampton Guildhall: conservation issues	Ian Bell	Relf Clark
29	The flat twenty-first	Harry Bramma	Relf Clark
29	The chorale preludes of Ethel Smyth	Relf Clark	Relf Clark
29	Dr Donald Wright (1920-2005): an appreciation	Nicholas Thistlethwaite	Relf Clark

28	Editorial		Andrew McCrea
28	Some remarks on organs, organ-playing and the studying of music	Peter Williams	Andrew McCrea
28	Were J.S. Bach’s Trio Sonatas written for the pedal clavichord?	Joel Speerstra	Andrew McCrea
28	Professorial annotations: William Crotch’s study of the ‘48’	Andrew McCrea	Andrew McCrea
28	Ralph Downes as teacher (in conversation with Andrew McCrea)	Nicholas Kynaston	Andrew McCrea
28	Some thoughts on aspects of Ralph Downes’s tonal philosophy	William McVicker	Andrew McCrea
28	The organ as a cornerstone of music-making in nineteenth- and early-twentieth-century Port Elizabeth	Albert Troskie	Andrew McCrea
28	Timeless interpretations? Observations on tempo fluctuation in early organ recordings	Sverker Jullander	Andrew McCrea
28	Roman organs and Frescobaldi’s organ music	Francesco Cera	Andrew McCrea
28	A study in the transmission of organ-building knowledge in early modern England	Dominic Gwynn	Andrew McCrea

27	Editorial		David Ponsford
27	Towards a revised canon for the organ works of J.S. Bach	David Humphreys	David Ponsford
27	Mirrors of Eternity: Genre, Affekt and Emblem in Buxtehude’s Te Deum Laudamus	Michael Griffiths	David Ponsford
27	Towards a reappraisal of Francois Couperin’s organ masses	David Ponsford	David Ponsford
27	The use of Psalm Tunes, Hymns and Chorales in English Organ Music of the nineteenth century	Graham Barber	David Ponsford
27	The adoption of Equal-Temperament Tuning – A Performer’s Imperative or a Fashionable Fad?	Alexander Mackenzie of Ord	David Ponsford
27	Islington Tenders	Joan Jeffery	David Ponsford
27	The Bureau Organ in St Benet’s Hall, Oxford – some initial notes	John Rowntree	David Ponsford
27	The Rev Bernard B. Edmonds, 1910-2003	Nicholas Thistlethwaite	David Ponsford

26	Editorial		Nigel Browne & Alastair Johnston
26	A brief for the Symphonic Organ	Jack M. Bethards	Nigel Browne & Alastair Johnston
26	The art of organ transcription – ethos and practicalities: some thoughts	David Briggs	Nigel Browne & Alastair Johnston
26	The organ, academia, and the future	Thomas Murray	Nigel Browne & Alastair Johnston
26	The Testament of Theresa Willis	Stephen Bicknell	Nigel Browne & Alastair Johnston
26	William John Grant	Alastair Johnston	Nigel Browne & Alastair Johnston
26	Thomas Casson, a mere introduction	Relf Clark	Nigel Browne & Alastair Johnston
26	Organ-builder history from fire insurance policies	Joan Jeffery	Nigel Browne & Alastair Johnston
26	John Garth, the galant organ voluntary, etc.	Geoffrey Brown	Nigel Browne & Alastair Johnston
26	Documents relating to three organs in Lichfield Cathedral	Martin Renshaw	Nigel Browne & Alastair Johnston

25	Editorial		William McVicker
25	The early career of J.C. Bishop, organ-builder, 1807-29	Nicholas Thistlethwaite	William McVicker
25	The restoration of the 1829 J.C. Bishop organ at St James’s, Bermondsey	Dominic Gwynn	William McVicker
25	Some significant dates in the history of St James’s Bermondsey and its organ	John Bowles	William McVicker
25	The role of the Pedals in the accompaniment of English Hymnody 1810-60	David Burchell	William McVicker
25	A note on Thomas Adams and his showroom demonstrations	Andrew McCrea	William McVicker
25	The Swell pedal and sforzando in the latter half of the nineteenth century	William McVicker & Gerald Sumner	William McVicker
25	The John Reading manuscripts of Dulwich College	John Carnelly	William McVicker
25	Who built the organ for the Sultan?	Greg Bak	William McVicker
25	Benjamin R. Grindrod and the Tubeon	Nigel Stark	William McVicker

24	Editorial		Alan Buchan
24	A musical apparatus of somewhat complex and intricate mechanism	Christopher D.S. Field	Alan Buchan
24	The organs in St Cecilia’s Hall, University of Edinburgh	John Kitchen	Alan Buchan
24	The 1843 Hill organ of the Music Hall, Edinburgh, from contemporary local sources	Alan Buchan	Alan Buchan
24	Playing and studying Bach – where next?	Peter Williams	Alan Buchan
24	Some developments in church music in NE Scotland, from 1700 to 1880	David Welch	Alan Buchan
24	The organ at St Stephen’s, Old Radnor, Powys	Richard J. Morton	Alan Buchan
24	In search of a grandfather. Thomas William Lewis 1863-1942: organ-builder and author	Yvonne Carnill-Lewis	Alan Buchan
24	James Bruce of Edinburgh	Alan Buchan	Alan Buchan

23	Editorial		Relf Clark
23	Thaxted revisited	Bernard B. Edmonds	Relf Clark
23	The organ in St Helen’s, Abingdon: twentieth-century events	David C. Wickens	Relf Clark
23	The influence of the Baroque Revival on the work of Hill, Norman & Beard, 1950-1974	John Norman	Relf Clark
23	A survey of the work of John Compton (1874-1957)	Ian Bell	Relf Clark
23	The Westminster Abbey organ in the twentieth century	David S. Knight	Relf Clark
23	The British neo-classical organ and its music – time for a reappraisal?	Andrew McCrea	Relf Clark
23	Harrisons’ great adventure	Mark Venning	Relf Clark
23	Carlton Cumberbatch Michell – a sketch	Stephen Bicknell	Relf Clark
23	The performance chronicles of Hubert Walter Hunt	Christopher Kent	Relf Clark
23	St Bees revisited	Relf Clark	Relf Clark

22	‘The Highest Style of Art’ An introduction to the life and legacy of T.C. Lewis (1833-1915)	Christopher Gray	James Berrow
22	Some reflections on small organ design, 1855-1949	Relf Clark	James Berrow
22	The Shrider organ from Westminster Abbey: Lord Thynne, organ donor?	David S. Knight	James Berrow
22	The study of English organ pipe scaling	David C. Wickens	James Berrow
22	The George Pike England organ in the Church of Nossa Senhora do Monte, Island of Madeira	Christopher Kent	James Berrow
22	‘An Organ should be an Organ’: Samuel Sebastian Wesley and the organ in St George’s Hall, Liverpool	Peter Horton	James Berrow
22	The notorious Dr Rimbault (1816-1876)	Percy Young	James Berrow
22	Henry Philip Dicker, organ-builder	Nigel Browne	James Berrow

21	Organs in Ely Cathedral before 1851	José Hopkins	Dominic Gwynn
21	Organ-building in seventeenth- and eighteenth-century Dublin, and its English connection	Denise M. Neary	Dominic Gwynn
21	Chirk Castle Organ and Organbook: an insight into performance practice involving a seventeenth-century ‘transposing’ organ	William Reynolds	Dominic Gwynn
21	Dean Bargrave’s organ at Canterbury	James Collier	Dominic Gwynn
21	The Battle of the Organs; the Smith organ at The Temple and its organist	David S. Knight	Dominic Gwynn
21	A description of the organ from the middle of the eighteenth century, in William Emerson’s Principles of Mechanics of 1758	Dominic Gwynn	Dominic Gwynn
21	‘The Perfection of Harmony itself’: the William Hawkes Patent Organ and its temperament	Philip Olleson	Dominic Gwynn
21	Mills of Albion: large Russell organs of the 1820s	Martin Renshaw	Dominic Gwynn
21	Early nineteenth-century Scottish chamber organs: pipe markings and other identifiers	Alan Buchan	Dominic Gwynn
21	The 1996 ISO Congress and GdO conference, and related articles in the ISO Yearbook and Ars Organi	Dominic Gwynn	Dominic Gwynn

20	Introduction from the Publisher		John Brennan
20	The Screen Organs in Peterborough Cathedral, 1660-1870	C.H. Davidson	John Brennan
20	Gothic and Renaissance: Organ Cases by Frederick Sutton and G.F. Bodley at Hoar Cross and Temple Newsam	Michael Hall	John Brennan
20	Restoring the Dallam Organs of Brittany	Michel Cocheril	John Brennan
20	Before the First Lesson: A Study of some eighteenth-century Voluntaries in relation to the instruments on which they were played	John L. Speller	John Brennan
20	George Dixon: A reappraisal	Relf Clark	John Brennan
20	The eighteenth-century English Organ and the Collective Psyche: a vehicle for national ideals	Pierre Dubois	John Brennan
20	The organ-builder and the organist: Thomas Elliot and Samuel Wesley	Philip Olleson	John Brennan
20	Contemporary organ design in Spain	Simon Platt	John Brennan
20	A Conversation with Nicholas Danby	John Brennan	John Brennan

19	A Tale from Two Cities: John Nicholson of Worcester, Manchester Cathedral and Ouseley, 1861	James Berrow	James Berrow & Dominic Gwynn
19	The English Trumpet Voluntary at the time of Henry Purcell	Geoffrey Cox	James Berrow & Dominic Gwynn
19	The Haywards of Bath	Betty Matthews	James Berrow & Dominic Gwynn
19	Organs associated with Handel’s visit to Dublin	Brian Boydell	James Berrow & Dominic Gwynn
19	St Michan’s Church, Dublin: the installation of the organ in 1725 and the duties of the organist	Barra Boydell	James Berrow & Dominic Gwynn
19	Carrying on ancient traditions: the work of Thomas Hill 1870-1893	Nicholas Thistlethwaite	James Berrow & Dominic Gwynn
19	The development of English Reeds from Robert Dallam to John Gray	Dominic Gwynn	James Berrow & Dominic Gwynn
19	Joseph Hart – a Suffolk organ-builder	Peter Bumstead	James Berrow & Dominic Gwynn
19	Obituary: Stephen Dykes Bower, 1903-1994	James Berrow	James Berrow & Dominic Gwynn

18	Introduction		Relf Clark
18	Stephen Taylor & Sons, organ-builders of Leicester	Bernard B. Edmonds	Relf Clark
18	Reflections on the tonal ideas of Arthur Harrison and how he achieved them	David C. Wickens	Relf Clark
18	Arthur Harrison, R. Meyrick Roberts, George Dixon and the remodelling of the Durham Cathedral organ in 1904/5	Richard Hird	Relf Clark
18	Two concert organs [Albert Hall, Nottingham and Caird Hall, Dundee]	Mark Venning	Relf Clark
18	The organ of St George’s Church, Worcester in the early life of Edward Elgar	Christopher Kent	Relf Clark
18	The French influence in High Victorian Lancashire	Gerald Sumner	Relf Clark
18	Transcriptions	Relf Clark	Relf Clark
18	Another Worcestershire organ-builder and the organ of All Saints Church, the Parish of Malvern Wells and Wyche, Malvern, Worcestershire	James Berrow	Relf Clark
18	Stanford and the organ recitals at Trinity College, Cambridge, 1872-1890: a documentary study	Jeremy Dibble	Relf Clark

17	Brice Seede, organbuilder of Bristol: some further findings	Christopher Kent	Christopher Kent
17	The development of English key actions up to 1800	Dominic Gwynn	Christopher Kent
17	Plagiarism or emulation: the Gerard Smith organ contract for St George’s Church, Hanover Square	Richard Platt	Christopher Kent
17	An apparently controversial instrument [Worcester Cathedral]	Relf Clark	Christopher Kent
17	Evans & Barr Ltd., a worthy legacy of Ulster organ-building	Joseph McKee	Christopher Kent
17	The organ in St George’s Church, Hanworth: a late nineteenth-century Hill	Clifford Embleton	Christopher Kent
17	Some thoughts on communication	Stephen Taylor	Christopher Kent
17	Samuel Wesley’s contribution to the development of English organ literature	Robin Langley	Christopher Kent
17	Parry’s Chorale Fantasia ‘When I survey the wondrous Cross’	Jeremy Dibble	Christopher Kent
17	Travellers’ Tales	Betty Matthews	Christopher Kent

16	Obituary: Peter le Huray, 1930-1992		Nicholas Thistlethwaite
16	Organ pitch and organ accompaniments in Elizabethan and Jacobean church music	Peter le Huray	Nicholas Thistlethwaite
16	‘The Psalms Set full for the organ’ by John Reading	David Burchell	Nicholas Thistlethwaite
16	Organ or orphanage? Religious controversy surrounding the role of organ music in German Lutheran worship in the Baroque era	Geoffrey Webber	Nicholas Thistlethwaite
16	Organ and liturgy – 1992	John Rowntree	Nicholas Thistlethwaite
16	Young Mr Newton and the overblown pipe	John Mainstone	Nicholas Thistlethwaite
16	The Hill-Gauntlett Revolution: an epitaph?	Nicholas Thistlethwaite	Nicholas Thistlethwaite
16	Lulworth Castle Chapel organ, Part II: (1) The reconstruction of the organ (2) Some reflections	William Drake John Rowntree	Nicholas Thistlethwaite
16	The G.P. England organ at Blandford Forum	David C. Wickens	Nicholas Thistlethwaite
16	Buckingham restor’d	Peter Bumstead	Nicholas Thistlethwaite
16	Charles Quarles: some notes	Bernard B. Edmonds	Nicholas Thistlethwaite
16	New organs: Grosvenor Chapel, London; Great St Mary’s, Cambridge		Nicholas Thistlethwaite

15	The Hamiltons of Edinburgh; a preliminary investigation	Alan Buchan	Stuart Campbell
15	The introduction of new organ stops in English organ-building in the eighteenth and nineteenth centuries Part 2 – 1850-1870)	David C. Wickens	Stuart Campbell
15	The builders of Scotland’s organs: a survey	Jim Inglis	Stuart Campbell
15	‘Cant Organe’: a lost technique?	Isobel Woods Preece	Stuart Campbell
15	The restoration of historic organs in The Netherlands	Jan Jongepier & Kenneth Walton	Stuart Campbell
15	Grosvenor Chapel and the 18th-century English organ	Mark Lindley & William Drake	Stuart Campbell
15	New organs in and around Edinburgh; Fairmilehead Parish Church, Edinburgh; St Mary Haddington; Dunblane Cathedral	Philip Sawyer; Philip Sawyer; George Wilson & David Hamilton	Stuart Campbell

14	Magdalen College MS347: an index and commentary	Francis Knights	Richard Hobson
14	Possible textural and thematic references in J.S. Bach’s Fugue in E flat, BWV 552	Philip Sawyer	Richard Hobson
14	The Organ Concertos of J.S. Bach, their origins and legitimacy	Ralph Schureck	Richard Hobson
14	Tuning & temperament and the British organ 1750-1850: a century of change viewed through the repertoire	Christopher Kent	Richard Hobson
14	The development of bellows systems in British organs c.990-1790	Dominic Gwynn	Richard Hobson
14	Dr Edward Hodges of Bristol and New York: an ‘organ expert’ on both sides of the Atlantic	Barbara Owen	Richard Hobson
14	A passage-board to India	James Berrow	Richard Hobson
14	Preston Public Hall – a new lease of life for the 1882 organ by Thomas Wilkinson?	Donald Wright & Gerald Sumner	Richard Hobson
14	New organs: St Andrew, Holborn; St Matthew, Westminster; Oriel College Chapel, Oxford; Mill Hill School Chapel; St Oswald, Durham; St Albans International Organ Festival organ; St Marylebone Parish Church	Michael Gillingham; Nicholas Thistlethwaite; Alfred Champniss; Richard Hobson; Richard Hird; Cecil Clutton; Richard Hobson	Richard Hobson

13	The organ in nineteenth-century Scotland	Jim Inglis	Philip Sawyer
13	The introduction of new organ stops in English organ-building in the 18th and 19th centuries (Part 1)	David C. Wickens	Philip Sawyer
13	A revolution in registration – Marsh to Mendelssohn: a view of English organ music 1788-1847	Christopher Kent	Philip Sawyer
13	The organ music of William Russell, an anticipation of the Romantic Organ	Gillian Ward Russell	Philip Sawyer
13	Rose Yard	Bernard B. Edmonds	Philip Sawyer
13	The organ of St Andrew, Holborn	Betty Matthews	Philip Sawyer
13	The National Pipe Organ Register: a report on recent developments	Margaret & Donald Wright	Philip Sawyer
13	Australia’s multi-cultural organ heritage: 200 years of organ imports	John Maidment	Philip Sawyer
13	‘Anon’ organs – their identification by style recognition and comparison	Graeme Rushworth	Philip Sawyer
13	The organ in St Michael’s College, Tenbury 1866-73	Richard Walsh	Philip Sawyer
13	Building a classical English organ	Dominic Gwynn	Philip Sawyer
13	New organ: The Anglican Church of St John & St Philip in The Hague, Holland	Gerard Verloop	Philip Sawyer

12	Problems in the preservation and restoration of organs	Alfred Reichling	Nicholas Plumley
12	Reviving the classical organ-building tradition in Britain	Dominic Gwynn	Nicholas Plumley
12	John Abbey, organ-builder: his work in France (2)	Jean-Albert Villard	Nicholas Plumley
12	Organ-building between reconstruction and new construction	Hans Gerd Klais	Nicholas Plumley
12	‘A pretty sweet instrument’: Sir Samuel Hellier’s obsession	Percy Young	Nicholas Plumley
12	Thomas Elliot, organ-builder: Part I historical, Part II the instruments	Bernard B. Edmonds & Nicholas Plumley	Nicholas Plumley
12	GG compass pedals and the British organ repertoire before c.1850	Christopher Kent	Nicholas Plumley
12	New organs: City of London School; Magdalen College Chapel, Oxford	Paul Hale; Sheila Lawrence	Nicholas Plumley

11	Editorial		Christopher Kent
11	The organ of St Mary’s Chapel, Lulworth Castle – a Symposium Part I:		Christopher Kent
11	… An introduction to the restoration	Donald Wright	Christopher Kent
11	… An historical survey	Christopher Kent	Christopher Kent
11	… An appreciation of the organ case at Lulworth	Michael Gillingham	Christopher Kent
11	… The early music of the Chapel and its relationship to the organ	John Rowntree	Christopher Kent
11	The Donaldson organ in the Holywell Music Room, Oxford	Stephen Bicknell	Christopher Kent
11	Wotton, the organmaker of Lambert Simnel fame: was he William or Thomas?	Susi Jeans	Christopher Kent
11	Parish church organs: the interaction of design, liturgy and management	Peter Marr	Christopher Kent
11	Christian Smith and the organ of St Mary Magdalen, Bermondsey	Betty Matthews	Christopher Kent
11	The Duke of Wellington’s funeral: a short chapter in the history of the organs of St Paul’s Cathedral	Austin Niland	Christopher Kent
11	Note: Tenbury MS. 1467: the notebook of the Revd. Leighton G. Hayne	Christopher Kent	Christopher Kent
11	New and restored organs: St Andrew & St George, Edinburgh; Malmesbury Abbey; West Ham Parish Church; The Richard Seede chamber organ in Pamber Priory	Christopher Gordon-Wells & Philip Sawyer; Christopher Kent; Graham Elliott; Martin Renshaw & Christopher Kent	Christopher Kent

10	Editorial		Stephen Bicknell
10	BIOS: the first ten years	Donald Wright	Stephen Bicknell
10	John Abbey, organ builder: his work in France	Jean-Albert Villard	Stephen Bicknell
10	Formative influences on Sweelinck’s keyboard style: a preliminary outline of a case for reassessment	Martin Souter	Stephen Bicknell
10	Organ preservation and scholarship in the United States	John Ogasapian	Stephen Bicknell
10	The organ in the Mechanics Hall, Worcester, Mass.	Fritz Noack & Richard Johns	Stephen Bicknell
10	The Normans 1860-1920	Herbert Norman	Stephen Bicknell
10	Some notes on the organ in Adlington Hall	John Mander	Stephen Bicknell
10	A neglected late 18th century organ treatise	Philip Sawyer	Stephen Bicknell
10	A heritage in perspective: a study of New Zealand’s historic pipe organs	Michael Cox	Stephen Bicknell
10	Thomas Dallam at Norwich Cathedral	Betty Matthews	Stephen Bicknell
10	Notes: The versatility of George Ashdown Audsley (1838-1925)	R. Huby	Stephen Bicknell
10	New and rebuilt organs: South Lancing Church, Sussex; Chichester Cathedral	Nicholas Plumley; Alan Thurlow & Nicholas Plumley	Stephen Bicknell

9	Editorial		John Rowntree
9	The English pre-Reformation liturgical organ repertory	Patrick Russill	John Rowntree
9	Organ music by William Byrd (1542/3-1623)	Richard Turbet	John Rowntree
9	The organ in Britain before 1600: some observations	Stephen Bicknell	John Rowntree
9	Yorkshire organ-builders: the earlier years	Bernard B. Edmonds
9	The Dallam organ in Magdalen College, Oxford: a new account of the Milton organ	John Harper
9	Organ pitch in seventeenth-century England	Dominic Gwynn	John Rowntree
9	The transposing organ	Stephen Bicknell	John Rowntree
9	Phrasing and articulation in organ music of the High Baroque	Peter le Huray	John Rowntree
9	New organs: Oundle School Chapel; All Saints, Friern Barnet; St Peter Mancroft, Norwich	Donald Wright & Catherine Ennis; Nicholas Thistlethwaite; Kenneth Ryder, Peter Collins & John Rowntree	John Rowntree

8	Yorkshire organ builders of the nineteenth century	Bernard B. Edmonds	Nicholas Thistlethwaite
8	A Victorian export to Australia: the Brindley organ in the Albert Hall, Launceston, Tasmania	John Stiller	Nicholas Thistlethwaite
8	W.T. Best as consultant	Cecil Clutton	Nicholas Thistlethwaite
8	Sir Frederick Ouseley (1825-89)	Christopher Kent	Nicholas Thistlethwaite
8	The origins of the Dallams in Lancashire	Gerald Sumner	Nicholas Thistlethwaite
8	The Dallams and the Harrises	Betty Matthews	Betty Matthews
8	Preserving the heritage: the problems of redundant organs	Marilyn Wilson	Nicholas Thistlethwaite
8	German organ-building in the nineteenth century	Werner Walcker-Mayer & Reinhard Raue	Nicholas Thistlethwaite
8	‘Queen’s and after …’ from the other side of the stop knobs	Peter Collins	Nicholas Thistlethwaite
8	Rebuilt organ: Christ’s College, Cambridge	Richard Maunder & David Rowland	Nicholas Thistlethwaite
8	New organs: All Saints, Northampton; St John, Totnes	John Rowntree; John Brennan	Nicholas Thistlethwaite
8	Notes: The Orgelfuss and the Orgelstuhl	Susi Jeans	Nicholas Thistlethwaite
8	Repairs to the organ in Chichester Cathedral 1602-3	Alison McCann	Nicholas Thistlethwaite

7	John Blow and the earliest English Cornet Voluntaries	Geoffrey Cox	Editorial Committee
7	Spanish Netherlands keyboard music, 1596-1633	Richard Vendome	Editorial Committee
7	Bach, Mendelssohn and the English organist, 1810-45	Nicholas Thistlethwaite	Editorial Committee
7	The Choir Organ in the Kristine Church, Falun	Mats Aberg & Herwin Troje	Editorial Committee
7	Thomas Haxby of York (1729-96): an extraordinary musician and instrument maker	David Haxby & John Malden	Editorial Committee
7	Thomas Haxby and the organ of Louth Parish Church, 1767-9	C.J. Sturman & J.C. Pillans	Editorial Committee
7	‘Queen’s’ and after … Some thoughts on the Organ Revival in Britain	John Rowntree	Editorial Committee
7	Some aspects of mid-nineteenth century organ-case design and organ position	James Berrow	Editorial Committee
7	Rebuilt organs: Peterborough Cathedral; Ludlow Parish Church	Nicholas Thistlethwaite Colin Beswick	Editorial Committee
7	New organs: Merchant Taylors School, Northwood; St Mary the Virgin, Putney	Sheila Lawrence	Editorial Committee
7	Restored organs: St Albans R C Church, Macclesfield	John Rowntree & Keith Elcombe	Editorial Committee

6	Editorial		James Berrow
6	The organ-builder as artist – opportunities and constraints	Ian Bell	James Berrow
6	Technique – a key to interpretation	Sheila Lawrence	James Berrow
6	Training organists in Holland	Stephen Taylor	James Berrow
6	The classical organ in Australia, its influence on teaching	Douglas Lawrence & John Maidment	James Berrow
6	A question of touch	Peter Collins	James Berrow
6	The organ in Wollaton Hall	Stephen Bicknell	James Berrow
6	Ancient British organs	Bernard B. Edmonds	James Berrow
6	The Dallams in Brittany	Michel Cocheril	James Berrow
6	Attitudes to musical instrument conservation and restoration	G. Grant O’Brien	James Berrow
6	Sir John Dykes Bower, 1905-1981	Michael Gillingham	James Berrow
6	Restoration: The Grove Organ, Tewkesbury Abbey	John Budgen & Colin Beswick	James Berrow
6	New organs: Newcastle R C Cathedral; Gonville & Caius College, Cambridge; Robinson College, Cambridge	John Rowntree & Nicholas Thistlethwaite; John Rowntree; John Rowntree	James Berrow
6	Second Dublin International Organ Festival	Derek Verso	James Berrow
6	Seventh Annual BIOS conference	Nicholas Thistlethwaite	James Berrow

5	Editorial		John Rowntree
5	English organ-building 1642-1685	Stephen Bicknell	John Rowntree
5	John Loosemore	Bernard B. Edmonds	John Rowntree
5	Organ music in parish churches, 1660-1730	Nicholas Temperley	John Rowntree
5	Notes relating to the organization of organ-building in England, to c.1740	Nicholas Thistlethwaite	John Rowntree
5	The preservation of a national heritage: Australia’s historic organs	John Maidment	John Rowntree
5	J.C. Bishop, Ushaw College and the Lancashire Catholics. Part 2: the organs	Gerald Sumner	John Rowntree
5	An introduction to Brice and Richard Seede: organ-builders of Bristol	Christopher Kent	John Rowntree
5	The Sack … or one organ in search of a builder … Some notes on the 1708 organ in Pembroke College, Cambridge	John Rowntree	John Rowntree
5	New organs: Pembroke College, Cambridge; University College School, London; Bray, Co. Wicklow, Ireland	Cecil Clutton & Patrick Russill; Nicolas Kynaston & Patrick Russill; Kenneth Jones & Gerard Gillen	John Rowntree

4	Editorial		John Rowntree
4	The Englishness of the English organ case, some thoughts on organ case design in England, 1660-1800	Nicholas Plumley	John Rowntree
4	The Chayre Organ, an episode	Bernard B. Edmonds	John Rowntree
4	An early 17th century British organ, a preliminary study	Martin Renshaw	John Rowntree
4	Organs of the Sheldonian Theatre, Oxford	Robert Pacey	John Rowntree
4	The Samuel Green organ at Heaton Hall	David C. Wickens	John Rowntree
4	‘… an Honest Organ’	John Rowntree	John Rowntree
4	The challenge of the Classical Organ: an organ teacher’s point of view	John Wellingham	John Rowntree
4	J.C. Bishop, Ushaw College and the Lancashire Catholics Part 1: historical aspects	Gerald Sumner	John Rowntree
4	English organ design in the Industrial Revolution	Michael Sayer	John Rowntree
4	The 6th International Organ Week: Bruges, 1979	John Brennan	John Rowntree
4	Provincial and unscientific remarks by the organ-builder	Joseph von Glatter-Gotz	John Rowntree
4	New organs: Christ Church, Oxford; Trinity College, Cambridge; Paddington Green, London		John Rowntree
4	Notes: The organ in Trinity College, Oxford	John Speller	John Rowntree

3	Editorial		Nicholas Plumley
3	Organ Reform in England – some influences	John Rowntree	Nicholas Plumley
3	Towards an indigenous classical organ design	Martin Renshaw	Nicholas Plumley
3	The reform of The Reform	Joseph van Glatter-Götz	Nicholas Plumley
3	Main roads to the modern Dutch organ	Meindert van der Galien	Nicholas Plumley
3	The new organ revival in Denmark	Ole Olesen
3	The well-tuned organ. An introduction to keyboard temperaments in 18th and 19th century England	Alexander C.N. Mackenzie of Ord	Nicholas Plumley
3	A trial of unequal temperaments on the organ	C.A. Pagham, P.D. Collins & C.K. Parker	Nicholas Plumley
3	Colonial organs: being an account of some early English instruments exported to the Eastern United States	Barbara Owen	Nicholas Plumley
3	The Harris/Byfield connection: some recent findings	Nicholas Plumley	Nicholas Plumley
3	Notes: A lost organ case	Bernard B. Edmonds	Nicholas Plumley
3	… The Dallam family	Bernard B. Edmonds	Nicholas Plumley

2	Introduction		Nicholas Thistlethwaite
2	Digitus Dei Hoc: the organ and the English Church in the era of Smith and Harris	Peter Williams	Nicholas Thistlethwaite
2	Bernard Smith (c.1629-1708) organist and organ-builder, his origins	John Rowntree	Nicholas Thistlethwaite
2	A note on the Smith four-tower organ-cases	Michael Gillingham	Nicholas Thistlethwaite
2	Organo Pneumatico: the construction and design of Bernard Smith’s organ for the University Church, Cambridge, 1698	Nicholas Thistlethwaite	Nicholas Thistlethwaite
2	Organ advisory work in the Anglican Communion. Some developments in recent years in the North East	Donald Wright	Nicholas Thistlethwaite
2	The organs of St James’s Church, Poole, and the Goss family	Betty Matthews	Nicholas Thistlethwaite
2	The restoration of the organ in Sydney Town Hall	David Kinsela	Nicholas Thistlethwaite
2	Elgar’s Organ Sonata in G (Op.28): a study of the manuscript sources and original interpretation	Christopher Kent	Nicholas Thistlethwaite
2	Notes: The organ case in Holsworthy Church	John L. Speller	Nicholas Thistlethwaite
2	… An early organ-maker’s will	Betty Matthews	Nicholas Thistlethwaite

1	Editorial		Michael Sayer
1	The English Organ Archive		Michael Sayer
1	The organs of the Lincolns	James Boeringer	Michael Sayer
1	Of tombstones, files and coelacanths …	Bernard B. Edmonds	Michael Sayer
1	Thomas Wilkinson of Kendal and the organ in Preston Public Hall	Gerald Sumner	Michael Sayer
1	The Disley Renn: an essay in investigation	David C. Wickens	Michael Sayer
1	Organ design for English Liturgy	Nicholas Danby	Michael Sayer
1	Robert Dallam’s organ in York Minster, 1634	Michael Sayer	Michael Sayer
1	Organ and Liturgy: the organs in St Joseph’s Church Keighley and the Church of the Sacred Heart, Henley-on-Thames	John Rowntree	Michael Sayer
1	Source materials from the early 19th century	Nicholas Thistlethwaite	Michael Sayer
1	Two Flight & Robson barrel organs	Nicholas Plumley	Michael Sayer